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For many people, classical music has the image of decent, neat and perhaps a bit boring. Masterpieces are played by the best orchestras in centuries-old concert halls. From an early age, musicians put everything aside for music. The concert stage is the highest goal and an orchestral track is in demand. The competition is fierce: the Netherlands has nine symphonic orchestras and just as many conservatories. How safe is that sector for (young) musicians? How do orchestras and conservatories fulfill their responsibility in this area? Pointer conducted research into sexual misconduct and spoke to dozens of musicians from the Netherlands and abroad.
